In 2001 I met Giora Feidman, a world-wide famous clarinetist and performer of klezmer music. He gave me a couple of his CDs. I was so impressed by his performance, that I decided to write a piece in klezmer style, a kind of klezmer rhapsody, and to dedicate it to him.
As a composer-in-residence at the Petach-Tikva Conservatoire, I was committed to write a piece for trombone and wind orchestra.
I decided to write this piece as a klezmer rhapsody and to name it Tzfat (Safed), the name of a city where klezmer music festivals take place yearly.
Tzfat for trombone and wind orchestra was written and performed in 2002 (see recording, below).
In 2004 I prepared a version of Tzfat for violin and string orchestra, which was also performed (see recording, below).
In 2008 I met Giora Feidman again, and he listened to Tzfat. He loved the composition, and he asked me for two additional versions of it: one for clarinet and string orchestra and another for clarinet and string quartet. He also suggested to rename the piece to Jewish Wedding, arguing that, outside of Israel, people are unfamiliar with Tzfat.
The version for clarinet and string orchestra was performed by Giora with a string group of the Jerusalem Symphony Orchestra (see recording below). The version with string quartet was performed the with Gershwin Quartet more than 30 times – in Germany, Austria, Holland, Switzerland, Russia and Ukraine. See below for a YouTube video from a performance in the Berliner Philharmonie concert hall.
Later, at the request of other performers, I prepared additional versions of this Jewish Wedding / Tzfat:
In Israeli Sketches, a suite for wind orchestra, I re-used Tzfat content, but made it purely orchestral without any solo instrument.
Looking back to 2001, when I met Giora Feidman for the first time, I could not have imagined such exciting developments!
Below are the recordings.
Ramat Gan Chamber Orchestra
Ohad Cohen (a 14-year old boy), Violin
Aviv Ron, Conductor
Ramat Gan (Israel), 2005
Giora Feidman and
Gershwin Quartet
Recorded for Klezmer & Strings CD, release by Pianissimo Musik
2009
In Sep 2023, the extraordinary US premiere of Requiem took place in Annapolis by Peter Minkler and Annapolis Symphony Orchestra, conducted by José-Luis Novo.
Peter Minkler wrote:
I have been asked by my dear friend, Boris Pigovat, to write a few words about his significant work, Requiem “The Holocaust” for Viola and Orchestra. He composed this music in memory of his grandparents and aunt who were murdered at Babi Yar in September 1941 on the outskirts of Kyiv.
Mr. Pigovat contacted me about fourteen years ago with the hope that I would be able to persuade anyone in this country to perform his work, as it had not yet received its United States premiere. After listening to Requiem, I was convinced that this is an important and transformative piece that deserves international attention.
After countless inquiries, my long journey was finally over when I was contacted by a local conductor and orchestra willing to tackle this technically challenging, massive 45-minute piece, and I performed the US premiere with Maestro Jose-Luis Novo and the Annapolis Symphony Orchestra in September of 2023. These performances, which took place on the 82nd anniversary of the atrocity, were exceptionally well received with standing ovations, multiple curtain calls and brought many, both on and off stage, to tears.
Throughout the performance, the musicians and audience were silently captivated as the music vividly painted an emotional picture. Other words shared with me and which were used to describe the music included powerful, unsettling, terrifying, gorgeous and deeply moving.
For me, I was both humbled and profoundly honored to bring this haunting music to life. As soloist, I felt compelled to act as storyteller, narrating and weaving together the threads of this tragic event and bringing its aftermath to the fore. Within the six-minute-long cadenza alone, we deftly move from horror to despair to acceptance. The finale, Lux Eterna, ultimately conveys peace, yet is tempered with a stern warning, “Never Again.”
Despite the thousands of miles separating Boris and me, from our very first interaction I felt an unspoken, intense and immediate connection not only with him, but also his oeuvre of extraordinary music. I am privileged to call him Friend.
I would encourage violists around the world to seek out and explore the wealth of magnificent works written for our oft-maligned instrument by Boris Pigovat, a composer who understands and appreciates the beauty and possibilities the viola can offer.
Peter Minkler
Viola
January 4, 2024
All I can add that I am spokeless. Thank you my dear friend Peter for your warm words!
Boris.
Donald Maurice’s solo playing vividly captures the music’s gamut of supplicatory emotion, while Marc Taddei and the orchestra provide an accompaniment richly-mixed with ambiences of faith and trust, doubt and fear.
This is a most extraordinary release. I guarantee it contains music like you’ve never heard before and that will leave you emotionally shattered and physically drained. …the performance and the recording are stunning, impactful, and overwhelming.
Yizkor (May (God) remember) is an Ashkenazi Jewish memorial prayer service for the dead. The service concludes with the prayer “El male rachamim” (“God full of Mercy”).
Yizkor for symphony orchestra was written in memory of the victims of the Pittsburgh Synagogue shooting.
In this work, I tried to express a wide range of feelings caused by this tragedy: pain, grief, anger, inner emptiness and confusion, and deep sadness. The piece ends with the traditional melody of the prayer “El male rachamim”.
Yizkor was commissioned by the Pittsburgh Symphony Orchestra to commemorate the five years Anniversary of the “Tree of Life” Synagogue tragedy.
The world premiere took place on November 26, 2023, in Pittsburgh, USA at the Violins of Hope concert.