I composed Prayer for Viola and Piano in 1994, after completing the third part of the Holocaust Requiem for Viola and Symphony Orchestra, Lacrimosa. I then collected materials for the fourth part of Requiem, Lux Aeterna. Therefore, Prayer is stylistically very similar to Requiem, and especially to Lux Aeterna. I even used one of the themes from Requiem: “Shema Yisrael”.
The “Shema Yisrael” theme opens and concludes Lux Aeterna. Hence, the best way to understand my expression of Prayer is by first listening to the Requiem recording, or at least to Lux Aeterna.
Both versions were published by the Israeli Music Center.