In November 2010, two years after the performance of Requiem at the the Concert of Remembrance for Kristallnacht 1938 at Wellington, a live recording of the concert was released by Atoll. This recording also includes three of my other pieces, featuring my dear friend, Donald Maurice (viola), and other great performers. The CD includes the following pieces:
Prayer for Viola and Piano
Donald Mautice, Viola
Richard Mapp, Piano
Silent Music for Viola and Harp
Donald Maurice, Viola
Carolyn Mills, Harp
Nigun for String Quartet
Dominion String Quartet
Dwight Pounds reviewed the disc in the Journal Of The American Viola Society, he writes:
Completing the album and complementing the Requiem musically and emotionally are three small ensemble compositions, each by Boris Pigovat. The very dramatic and tragic Prayer was written the same year as the Lux Eterna (1994) and in fact shares at least one common theme. Silent Music, known in Hebrew as Nerot Neshama (Candles of the Soul), was written in 1997 in response to a particularly vicious terrorist attack. In Nigun, conceived originally for string orchestra, Pigovat’s goal is to give “expression to the tragic spirit which I feel in traditional Jewish music” by giving homage to the style and spiritual atmosphere of ancient tunes, but without quoting traditional melodies.
In 2012, the Requiem CD was awarded a Supersonic Award by the Luxembourg classical music magazine Pizzicato.
Below are some samples from the CD.
Donald Maurice, Viola
Mark Taddei, Conductor
Vector Wellington Orchestra
Part 4 “Lux Aeterna” published by Atoll in YouTube
Donald Maurice, Viola
Richard Mapp, Piano
Donald Maurice, Viola
Carolyn Mills, Harp
Donald Maurice’s solo playing vividly captures the music’s gamut of supplicatory emotion, while Marc Taddei and the orchestra provide an accompaniment richly-mixed with ambiences of faith and trust, doubt and fear.
This is a most extraordinary release. I guarantee it contains music like you’ve never heard before and that will leave you emotionally shattered and physically drained. …the performance and the recording are stunning, impactful, and overwhelming.
In Sep 2023, the extraordinary US premiere of Requiem took place in Annapolis by Peter Minkler and Annapolis Symphony Orchestra, conducted by José-Luis Novo.
Peter Minkler wrote:
I have been asked by my dear friend, Boris Pigovat, to write a few words about his significant work, Requiem “The Holocaust” for Viola and Orchestra. He composed this music in memory of his grandparents and aunt who were murdered at Babi Yar in September 1941 on the outskirts of Kyiv.
Mr. Pigovat contacted me about fourteen years ago with the hope that I would be able to persuade anyone in this country to perform his work, as it had not yet received its United States premiere. After listening to Requiem, I was convinced that this is an important and transformative piece that deserves international attention.
After countless inquiries, my long journey was finally over when I was contacted by a local conductor and orchestra willing to tackle this technically challenging, massive 45-minute piece, and I performed the US premiere with Maestro Jose-Luis Novo and the Annapolis Symphony Orchestra in September of 2023. These performances, which took place on the 82nd anniversary of the atrocity, were exceptionally well received with standing ovations, multiple curtain calls and brought many, both on and off stage, to tears.
Throughout the performance, the musicians and audience were silently captivated as the music vividly painted an emotional picture. Other words shared with me and which were used to describe the music included powerful, unsettling, terrifying, gorgeous and deeply moving.
For me, I was both humbled and profoundly honored to bring this haunting music to life. As soloist, I felt compelled to act as storyteller, narrating and weaving together the threads of this tragic event and bringing its aftermath to the fore. Within the six-minute-long cadenza alone, we deftly move from horror to despair to acceptance. The finale, Lux Eterna, ultimately conveys peace, yet is tempered with a stern warning, “Never Again.”
Despite the thousands of miles separating Boris and me, from our very first interaction I felt an unspoken, intense and immediate connection not only with him, but also his oeuvre of extraordinary music. I am privileged to call him Friend.
I would encourage violists around the world to seek out and explore the wealth of magnificent works written for our oft-maligned instrument by Boris Pigovat, a composer who understands and appreciates the beauty and possibilities the viola can offer.
Peter Minkler
Viola
January 4, 2024
All I can add that I am spokeless. Thank you my dear friend Peter for your warm words!
Boris.
Donald Maurice’s solo playing vividly captures the music’s gamut of supplicatory emotion, while Marc Taddei and the orchestra provide an accompaniment richly-mixed with ambiences of faith and trust, doubt and fear.
This is a most extraordinary release. I guarantee it contains music like you’ve never heard before and that will leave you emotionally shattered and physically drained. …the performance and the recording are stunning, impactful, and overwhelming.
Yizkor (May (God) remember) is an Ashkenazi Jewish memorial prayer service for the dead. The service concludes with the prayer “El male rachamim” (“God full of Mercy”).
Yizkor for symphony orchestra was written in memory of the victims of the Pittsburgh Synagogue shooting.
In this work, I tried to express a wide range of feelings caused by this tragedy: pain, grief, anger, inner emptiness and confusion, and deep sadness. The piece ends with the traditional melody of the prayer “El male rachamim”.
Yizkor was commissioned by the Pittsburgh Symphony Orchestra to commemorate the five years Anniversary of the “Tree of Life” Synagogue tragedy.
The world premiere took place on November 26, 2023, in Pittsburgh, USA at the Violins of Hope concert.